Some of the things you can actually go out and see right now (that at some point only lived on my computer) are MySpace layouts for Boys Like Girls and My Favorite Highway. Both these bands are amazing, and BLG have a new record out, that I’m sure you’ve heard a few songs on your radio from. MFH has a new video out, which you can see on said MySpace.

I’ve also been working on quite a few logos, print work and layouts that aren’t quite out in the public eye yet, and MySpace layouts for Andrew W.K. and The Bleach Works should be up next week. Recently I launched a website design I did for a film called The Road Less Traveled, it’s a pretty interesting concept and gives a whole new view of a part of the world we don’t all get to see.

I’d also like to bring back what may have been a feature of my blog and recommend some things, mainly because I think everyone could stand to hear some good music:
fun. – Aim & Ignite – This band has one of The Format guys in it, along with a cast of other talented musicians who all played in a few other bands and came together to create fun. I happen to think The Format’s debut was one of the most perfect complete albums ever, so at first I HATED fun., then I let it play and found that I couldn’t stop. I had to apologize to a couple good friends for ever trying to say that this record isn’t absolutely phenomenal, and even the songs I hated I now love. Lesson learned.

Third Eye Blind – Ursa Major – I never expected to be this addicted to a new 3eb record. Sure their catalogue is one that is constantly playing in my life, but did anyone really expect this resurgence? I wanted to feel this way about this record, for months now, but I knew I wouldn’t, yet here I am. I think my favourite track has to be Summer Town, it just gives you that feeling where you want to be inside, is full of classic 3eb lines, techniques, phrasing, etc that just make it the classic non-single 3eb fave. The pseudo ending is spectacular as well. If you have somehow missed everyone talking about 3eb again, you need to drive a few laps around town playing this album.

Ryan Adams – The other day I realised I haven’t listened to Ryan Adams in months, and then I proceeded to listen to it for 3 days straight. Perhaps it got me back to being a little too jaded, but I think it was exactly what my days needed. Next month will be filled with lots of Elliott Smith as well.

Hope everyone out there who still checks in on this nonsense of a website is well, I’d name you by name, but that would just get awkward.

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Mashable has a great post on their IE6 death wish, some of the intricacies of why IE6 is horrible, why developers need to start denying pages to load in it, and what the future holds for anyone using a real browser.

Mashable

Both Digg and YouTube have announced that they’re cutting back on IE6 support. Facebook already gives you suggestions for better browsers if you try to log in with IE6. You won’t be able to Digg articles or browse YouTube via IE6 in the near future.

If you are using IE6, please stop, use IE8 if you must or try Safari or Firefox out, you might be surprised at how the internet has changed these past 10 years. If you work in IT, make it a priority to upgrade your companies browsers, far more designers will respect you.

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I’m not sure if Aillaud is considered as a post-structuralist, but to me I see that in his work and his inspirations for it. I’m not sure his motivations were purely post-structuralist, as I think he wasn’t so much rejecting structuralism as he was tired of the systematic approach that was architecture post war. I see much of the same motivations, ideas, and form that lead us into the LA/Santa Monica school and architects like Frank Gehry.

You can see some more photos of the Tours and some other Emile Aillaud designed buildings in this Flickr pool.

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All that being said, that logo can be found on something rather awesome. A(n) USB drive bracelet. What? Yeah. Okay. See for yourself. Brilliant idea TRL team.

The Record Life has their EP out now on iTunes, if you like what you hear.

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So I’ve been busy, again. I got my tax extension turned in on time, so I’m doing better than some people, but it’s just an extension, so I’m doing worse than most. If you don’t appreciate the greatness of Twitter, and/or realise I don’t really say anything about what’s going on there anyway, and want to know what’s going on, this is your Huckleberry (I’mmm yuh Huhklebehhy).

I wrapped up a few MySpace re-designs for some great bands: My Favorite Highway (record was released yesterday, and you should own it), Green River Ordinance (FFO: The Fray, etc), The Urgency, and Young Love. I got up the website for a ska band from Boston called Westbound Train up, I’m not really into ska, and if you aren’t either realise these guys have much more of an old R&B sound to them. I also finally finished up the layout for a band I used to do a lot of work with called Parker Theory. I’ll get the cover up somewhere, sometime soon. I was also working a lot of sleepless nights on a secret logo project that I can’t really discuss yet, and don’t really know the outcome of, so you may never hear about it, but hey at least me writing this makes me appear “mysterious” right?

Other non-design things I have been up to include: Building an HD antenna with Kyle so we are one step closer to canceling cable, Finally fixing my Mail so that my Junk Mail will stay on the server (tip: don’t put periods in your account name), Got out to see the Ducks knock off the Sharks and fully reinvigorate my love for NHL playoff hockey, Bought more vinyl (still no turntable), and successfully got an external HD once deemed dead, back in the world of the living.

I’m off to get back into the work, nice seeing you again.

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So I have been ridiculously busy in the last few weeks, and there are good reasons for that. I have a ton of work, and I will be over on the East Coast for a couple weeks. Why? Why not! I will be headed out to such cities as Boston, New York, Hoboken, New York, Baltimore, Los Angeles, Charlotte, Wilmington, Ft. Lauderdale, Orlando, Tampa, and Orlando. It’s quite a journey, and I will be on the road with my good friend William Tell and Jimmy Robbins. They will be playing perfect pop music, and I will be helping them in a multitude of ways, while still carrying on my normal load of design fun (though the past few weeks have made it so it will be a little lighter).

If you are on the lesser coast, and we are friends, we need to hang out. I’m really bad at calling people or writing them in advance, so just track me down and let’s get a drink. If you are one of my wonderful clients, fear not, I will have all the regular normal operations up and running, and you shouldn’t notice a thing.

See you soon. Miss your face.

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Currently the Associated Press is upset that an image that they hold the rights to was the basis for Shep’s illustration. They want license fees, and profit, and credit, and probably one of his children. The issue is actually pretty interesting in terms of copyright law. However frankly this case has no legs, and I’m surprised the AP is this hard up for cash (though no one in the newspaper world is exactly thriving).

The AP owns the image, they don’t own the moment in time the image was taken.

Fairey started with their image, and then he applied his now famous illustrative style. He didn’t simply threshold the thing in Photoshop, he didn’t auto-trace something in Illustrator. His work is no different than someone painting the image in a cubsim styling. Copyright simply doesn’t protect deviations in such things. Someone at AP has to know such things. If anyone should be able to claim rights to deviations based on photographs, it should be the person in the imagery. Kind of funny how they get no share of the AP’s licensing fees.

Anyway, that is my take on this whole thing, and I really hope Shep doesn’t back down or make a settlement. He deserves to stand alone as the source of such iconic imagery, and he is just the right person to stick it to the old media.

Also if I may rant…
I find it hilarious how the old media has talked about him as this “L.A. street artist”, like he is some ruffian who slums through streets stealing bread and spreading wheat paste wherever he goes. Do they not understand the guy went to THE premiere design school in America (RISD), do they not understand the guy owns his own clothing line, do they not understand the guy’s first studio he formed is responsible for such things as the Mt. Dew logo and the Mozilla logo, do they not understand his current studio is responsible for the “Walk The Line” poster and the cover art for The Smashing Pumpkins comeback album? This is no “street artist”, this is one of our generations most heralded graphic designers, this guy will be included along names like Bass, Lubalin, Rand, Glaser, Carson and Sagmeister.

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Or go catch them on tour with some band nobody has ever heard of… Fall Out Boy.

Speaking of bands you should listen to, MySpace, me name dropping friends of mine in NYC, and what I’m listening to right now: Another wonderful friend Frank got me hooked on this band More Amor. Their track “Young Hollywood” will be stuck in my head for 3 weeks, at the least. I recommend buying the album off iTunes, because I did, and it would do you some good to be more like me.

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Here is a brilliant interactive look at how the Zip Code system works.

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Most of my clients are actually some of the greatest people ever, so I’m pretty fortunate in this one. However, I have in the past encountered these people, and I suppose someone had to take over their design work when I moved on, so this is for you, whomever you are.

And those clients.

Credit

In general I think this is something most people should be familiar with, designers are used more and more, and I think it’s still one of the largest growing professions. Chances are you may hire a designer, and chances are, you may not be familiar with the status quo. People really don’t understand what it’s like to be making a living designing, they think it’s some novelty, like you must do something real for a living and thus they can treat the whole relationship as a hobby. Some of the ways I have seen clients treat designers is just mind boggling and wouldn’t fly in any other industry. In reality all these things are just good business, why some people choose bad business, that one is still a mystery to me.

P.S. I read somewhere recently how overused of a literary device the one line paragraph was, so of course I made it my goal to use it more. Hence, you will be seeing it a lot. Will this be the end of my run on sentences, could be, but probably not, I mean why would I want to do that when I could just combine the two for even more amazing played out incorrectness?

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That there is the cover of The Guardian’s G2 section that ran earlier in the week. One of my favourite people on earth David Carson did the design, and inside is a multitude of other designers takes on POTUS Obama’s speeches. Nice little feature for the design geek and/or political dork.

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Nice to see Yahoo! pushing it’s reach and offering up an amazingly useful webapp for free. Well done Y!.

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Sidenote: I once told a girl who I was dating, or had dated, or was going to date (I’m really not sure the time period in it all) that I was working on being mysterious, she laughed at me. She was right.

So if you are up to be a part of something that may require a few minutes of your time now and again, possibly a postage stamp, and will make 2009 better (or at the least more interesting) shoot me an email (you should have it) and include your postal address.

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So anyway, in May I returned a 5 month old email to John and he only waited 6 months to reply to me. Way to out do me, John. I’m really horrible at getting back to those kind of emails, because I feel like I can’t just fire off 3 sentences like I can with family and friends I see all the time, so I hold no ill will. John let me know about a project he had recently compelted after teaching himself how to screenprint. The concept was a series of art prints that represent each state as a plate of food. I think it came out pretty spectacular, of course it will be 6 months until I let John know that, but for now check out his work. The United Plates.

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Today one of Brad’s site is featured as Communication Arts Webpicks. It’s the site he worked on for Wind-Up Records, I’ve gushed about this site ever since it went live, and I think it’s the first time in ages that a website has really struck me as perfectly executed and innovative. It’s what the web should be.

Anyway, everyone should go check it out if you haven’t yet.

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PLEASE NOTE: We are not looking for a college student or hobbyist or a social networker who stays up all night and surfs the Internet with their friends and designs graphics out of their bedroom for t-shirts. ONLY PROFESSIONALS SHOULD APPLY.

Now I’m not simply being defensive because I’m writing this from the same room as my bed (though this side of the room is clearly business only), but that whole combination of words is just so out of touch with reality. I know some of the most talented designers around, and almost every one of them designs graphics for t-shirts out of their bedroom, surfs the internet with friends and stays up all night. Artists tend to not exactly live the 9-5 office lifestyle, and you would think anyone wanting a truly talented designer would realise that.

Good luck with your production artist, nameless medical company.

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Here is the wrap-up:
I was sick for a good solid 2 weeks, most of it came from breathing pure ash from some of the lovely fires in Southern California, I finally recovered the week of Thanksgiving, but was way behind on work (thank you to everyone whose project was delayed, your grace is wonderful).

I got back on the ball and wrapped a ton of stuff up the past 2 weeks, including a 3 day trek to San Diego to see family/friends whom I love, and a 2 day trek to AZ to ride along with Tell as he played ASU. It was all great, and we officially decided AZ may be the best food state ever. Think about it, they get the west coast (In-N-Out, Del Taco, etc) and the Middle America (Waffle House, Chick-Fil-A, Sonic) along with other random things from states far off. Put a White Castle out there and my vote is in.

I just wrapped up William Tell’s MySpace the other day, if you haven’t been by lately he has quite a few new songs up that you should listen to. This little project was a fun nightmare. Lots of work overwriting MySpace and figuring out stupid little one line code issues, but it’s only the first time that this will kill me.

Also not too long back I finally got up a semblance of a website for Department Three. I have been promising this for years, and now finally some of my recent work is up to view at the studios site.

I’m working on a ton of other things, filing away files, getting caught up on emails, do if you are wondering why I haven’t replied to something, be patient. In the works are a few websites, some branding work, and a few more MySpace re-designs.

In other news, my friends at Hozell are having a warehouse sale this weekend. It’s today and tomorrow, and it also includes WeSC another great brand I’m a huge fan of. Info is on the MySpace linked there (because they didn’t want to put it on their MySpace?), and i’ll be there in a few minutes. If you are in LA/OC you should head down and hang.

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Because of such celebratory events I am bringing you free music. From two different places.

Firstly, a lot of my time has been spent working on a few projects for William Tell, and part of that pile is up on the internet today. Right here, if you sign up you get a free song, and lot’s more to come. It’s a new marketing device that we have dubbed, “bribery”. The song is called “Gone Gone Gone” and it has some great Paul Simon moments in it.

Secondly, a lot of the rest of my time is spent talking to the one and only Chad Pearson. He has a record label, and they give you free music. He is currently living in a red state, but let’s look past that for a moment. FREE MUSIC! Okay, so yeah, his label sampler is now up for free on Amazon MP3. It features some great artists whom I truly love, and is just the right kind of mood for Fall days (Not that I know what Fall is like). A little more mature sound blasting from your windows, a little more proof you are cooler than people think.

So enjoy the music, and the new President, and if I could give away this for free I would.

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For those of you not in the know:

Google Gears

Gears is an open source project that enables more powerful web applications, by adding new features to your web browser:

Go get you some, right here.

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Computerworld

Several digital images that Microsoft Corp. has posted on its Web site to trumpet its new “I’m a PC” advertising campaign were actually created on Macs, according to the files’ originating-software stamp.

Four of the images that Microsoft made available on its PressPass site today display the designation “Adobe Photoshop C3 Macintosh” when their file properties are examined. The images appear to be frames from the television ads that Microsoft will launch later today.

This one just makes me giggle over and over and over.

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I bugged just about every person I know who works in design/programming, and I thank you all for your amazing knowledge filled response of “yeah, I dunno, that’s weird”. Seriously, you people really are aces, all kidding aside.

So the blog is back, the google warnings should come down soon, and as a bonus prize I brought…

Twitter Updates Back! Weekly digest, which is what I wanted to begin with. Dollar, dollar bills y’all.
Enjoy.

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It’s an exciting and challenging time, and I will surely be hitting up each and every one of my friends about anyone you might know who could be my next client. It’s tough out here in the design game, but so refreshing to be scrambling over something and having to sling my trade everywhere I go.

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When I was watching the first episode and saw the typography they used I was pretty taken. It does a brilliant job of capturing what the mood of the show is. It’s rough around the edges, but has a certain order to it’s madness. I thought it was great how they created something with a very solid familiarity without going the route of some played out font we have seen too many times.

Then today I was listening to K-Rock NY on my iPhone (through AOL Radio) and I noticed something interesting…

No longer did we have an original and unique font. Now did someone rip off the other someone in this case? Probably not. It’s probably the case of 2 entities finding a font that actually fits their “brand” quite well, it’s just a shame they both come to light in a similar moment. Now you might be thinking, “Aren’t you being a little too harsh on people for using the same font? Don’t people do that all the time?” And you are right, it happens, but it usually is avoided by most designers when it is such a kitschy type font. If I had seen these both without seeing the other, I probably would think both were wonderful choices and original type creations, but I can’t change the facts, and I think the designers working on those projects should have spent a little more time on the font choice/execution.

Anyone else remember a case of a very memorable, kitschy, stock font was used for two brands around the same time? The last one I can think of was the Spiderman/Playstation 3 font, which at least both were Sony properties.

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The Register

That dream? To produce a desktop more beautiful to ordinary users than legions of Apple programmers supping on the milk of chief exec Steve Jobs’ alleged brilliance are capable of producing.

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Well I decided to go ahead and fill everyone in on what I would be contributing to the show. I take a lot of pictures, it’s a big part of my life. However I’m not one of those people who shows up everywhere with my Canon and looking kind of weird trying to take pictures of everything I see in my life. I miss more good picture opportunities than I take good pictures, but for the first time I will be showing a few of these pictures. 5 images, 30″ x 20″, taken in Boston, MA, Los Angeles, CA and CBGB’s in NYC, NY.

Here they are:

I hope this event is a marvelous success, not for myself, but because the people involved in this, and the other artists contributing are some of the most amazing people I know on this planet. They constantly inspire me, challenge me, and humble me. I am so thrilled to be involved in anything they do.

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All the prints of my photographs will be 30×20, and I will post the day of the event the pieces that are there, maybe. I’m really excited for everything Chad is doing with Panda, I’m absolutely in love with the musicians he is working with, I’m thrilled to be a part of an art show where my work will be completely showed up by some of the most amazing artists out there today who I am also honoured to call my friends (therefore, such as.

If you are in the Atlanta area, you should make it out to this. I was trying to work out an appearance myself, but I think I will wait until the fall to fully experience the ATL.

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Mark Penxa, interviewed by Uni Watch about the “Stealing Signs” project. Mark and I worked together on a few projects back when I was with TMG, when I say worked together, I mean I took brilliance he did, and probably diluted it. However we had great fun, and still have some pretty amazing email conversations about life. Mark was kind enough to sell me some of the early versions of the “Stealing Signs” project, and they are absolutely moving in person.

Another fun thing to know about Mark and I is that I once tried to commission Mark to paint me a kind of 3 colour tribute to one of my ex-girlfriends. His complete panning of me and such a ridiculous idea proved more therapeutic than anything else had and has on said topic. Moral of that story is that Mark rules, nd I am valued to have him as a friend, and that I am a sap who fortunately has friends who don’t let him do utterly foolish things (most of the time).

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I also have an iPhone gallery set up where I will upload pictures straight from the iPhone. I guess that means I will no longer be utilising the Flickr account, but we shall see how that goes and if adding the iPhone gallery RSS to the live section actually works. I’m just not committed to Flickr, Apple and I have far too strong of a relationship for some floozy to come in and pull us apart.

I also, also have a selected gallery of Live Noise. It is, what you thought it was.

Special thanks to; Lindsay Strannigan and Kyle Davidson who each helped me whittle down the Portfolio, and a certain lady friend who used the word “floozy” so much that it is forever attached to her in my mind, for better or worse.

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Anyway, it’s pretty fun for killing a few minutes. My personal favourite word association that I personally entered was “45″. I had just been shown the Michael Jordan “Jumpman” logo. If you get that one at all, you are full of tact and wit.

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Of course this is obviously based off their new “Live In Phoenix” CD/DVD art, which came out a few weeks back, and is surprisingly better than I thought it would be. Enjoy.

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A lot of people find iPhone versions of websites to be odd, dividing and others think it’s just the trendy version of a mobile site. I agree that it’s strange the fact that a device with the best (and most compatible) mobile browser available is responsible for a boom in optimising for specific devices, it’s ironic of course. However what a lot of people miss in this whole iPhone optimized craze, is that these versions enable the end user to do more (and spend more time on the site) through increased functionality and cross-tasking with the iPhone OS.

Thus, I bring my list of my favourite iPhone optimised websites (I left out the so-called “webapps” because they aren’t an iPhone version of an existing site):
1. Facebook – This borders between “webapp” and optimised site, but it blows away everything else and was one of the first. I am sure come June this will transform into a Facebook App on the iPhone, but for now, this takes the cake.
2. Google Grand Prix – This started out as a Google employee’s own personal project, and once the people at “The G” saw how brilliantly it ties together all the Google App Suite (Search, GMail, Reader, Calendar, et al) it was quickly green-lit for release.
3. Media Temple – Add email addresses on the go, Reboot the server upon a random crash at 11PM on a Friday night, et al. Probably not things very many of you need in your life, but for me this is a must.
4. Digg – Every few weeks I run into someone who JUST heard about Digg. It’s never ceases to amaze me. For all those who don’t know Digg, you should, and you should also know I’m addicted to it.
5. CBS News – CBS News recently became my favourite source for news, because of this really well done iPhone version. All the news that’s fit to touch.

Honorable Mention:
Trustkill Records – I recently got an email about this from a friend of mine at a label, along with asking my thoughts on it. I summed it up by saying it’s brilliantly well done, but I just don’t feel a record label website has the kind of readership to necessitate an iPhone version. They do a great job tying it into all the iPhone can do (iTMS, YouTube, etc.). Personally, I wouldn’t find myself on this site multiple times on my iPhone, but for those that would, you get quite the experience.

If I were to include websites who have a mobile version, and said mobile version includes an iPhone icon (for saving to your home screen), this list would also include The New York Times, and The LA Times. However these sites are just general mobile versions that look stellar on the iPhone and take advantage of only some of the iPhone technology. My criteria for a full iPhone optimization was basically that links were not just text, but utilize the entire graphical area (yes I’m aware of how little sense this makes to anyone that doesn’t use an iPhone, deal).

Have any to add, think I made bad choices? “Talk to me Goose”.

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London Map Table

Steel Coffee Table

Exploded Coffee Table

London Street Sign Table

In conclusion, what is Etsy? I dunno, but it has some great tables.

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For the record I don’t care what anyone says, R Bils is perfect, on that cover, in real life, and especially in the Last Kiss, which is a film starring Zach Braff, which will make you depressed, which is probably good for a change; I have noticed you are way too happy these days.

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The Interstate system was developed by Eisenhower, and this lovely illustration of the system that I recently came across was put together by Chris Yates.

To clarify one thing, the 15 doesn’t really go into Los Angeles, not sure where this dude gets his info, but it goes all the way to San Diego, and never really comes close to it’s downtown either. Moral of this lesson, the 15 isn’t fun.

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When it comes to people who work on websites all day, there are quite a few interesting ones in the lot, this guy however is just not in touch with reality. He has a few solid points as his platform, but then screws it all up with his delivery by being so absolutely polarizing that it becomes hilarious. I’m like a 3 at creating for the internet, but some of my closest friends are absolute internet legends, and they would tell you there are always exceptions to almost all of these rules.

For most people, this should just be a funny post to see how people who geek out on making the internet argue with each other about things that really don’t matter. Enjoy.

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In college I got in this really David Carson mode once where I would only use Courier, and then manipulate each letter by hand to get some derivation that suited my mood. This worked for about 3 months, until I was banned from using Courier by one of my teachers (which was probably for the best, so thank you Pein). So it’s not shocking that I have always liked to put my own touch on a font I am using for a certain project, I just feel it is the correct process out of respect for the design. Or, maybe I just don’t think very many fonts are perfect.

Lately, my mind has grown attached to scripts and swashes and italics, and at some point this relationship will end, but for now I enjoy it. I have a huge crush on Champion Script Pro at the moment, and it’s mostly due to it being one of the most complete fonts out there and comes with thousands of optional letterforms and such. Parachute did an amazing thing and wrote up the how’s and why’s behind Champion, and it’s quite a good read for anyone from those curious to how a font is created, to the seasoned typographer.

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The LAist recently ran a story about the renovation of the “Elliot Smith Wall”, which was of course the mural which is forever attached to Elliott due to it’s iconic presence alongside him on the cover of “Figure 8″. This mural is on Sunset, I drive by it now and again, and it was really in a sad state for a while. Solutions owner Stephon Lew even discusses some plans he has to further tribute Elliott.

Stephon Lew

These are my dreams: I plan to place an electronic object of importance….a 5 foot 7 inch tall monument (of Elliott’s size–with two loudspeakers at the base of the monument to represent his two big shoes) formed from crushed electronics parts —to play and to identify Elliott’s musical influences (Elliott’s hobby, I hear, was to experiment with electronics to make music tone)—to have the monument –emanate new energy and the many solutions that music can provide.

I am thrilled to know in future times as we all pass by we will see a familiar friend once again. It’s all kinda like a Figure 8.

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What really did it for me was one day after many conversations with many Windows users comprising of this automatic intense defense of their OS. It suddenly clicked with me, I was just that same way (only on the offensive), and it’s annoying. Anyone discussing anything who has to sell something that hard and make ravenous remarks has some serious insecurities. So I gave up, I would still always subtly slide in any pro Apple remark where I could, but it had to be applicable and rational, it would be only to educate and inform. I think this same “maturing” of the “Apple fan boy” has taken place on a wider scale with most others as well, and now you see a more confident Apple supporter, who doesn’t sink to kicking Windows users while they are down.

So can the same be said for Windows users? Did they give up on their hyper defensive stance? Have we all matured together to realise some people are okay with driving a minivan (is it at least a turbo charged minivan, with a cool number 18 decal on the side? No?), and the rest of us want something more sporty with a better design aesthetic and a functionality that is so simple, yet so forward? The answer lies on the internets friends, and it’s looking like the answer is “No”.

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I still am not much of a fan of the Google logo, but I absolutely love the old logos of what was to become IBM.

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I attended the Hollywood, CA stop of the tour, and it was quite the show. My personal highlight was when Sherwood covered The Get Up Kids “Holiday” (One of my all time favourite songs) and some guy in the crowd responded by flipping off the stage for the entire song. Guess you aren’t allowed to play TGUK’s without checking with him. Also, The Matches put on quite a performance, I never seem to get into their records, but everytime I see them live it makes me wonder why I don’t.

You can check out the tour dates here.

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I was in a program in Elementary that was called “GATE”, I have no idea what it meant, but it was about as elitist a program as you could find. I was once informed by one of my “GATE” teachers that I was hanging out with the wrong crowd. I had friends in my classes sure, but my real best friends were two boys who were by no means any less intelligent than I, and by all means applied themselves less and caused more trouble. I was told not to hang out with them anymore, me age 10, being told that my friends were not good enough for me. I grew up with those two in my life for many more years, had amazing memories made with them, and still have contact with them to this day.

In High School it was less about the system telling me point blank what I should do, and more about them telling everyone what we shouldn’t do. Over my years I witnessed headwear being banned, girls being told their straps on their tank tops weren’t thick enough, and oh by the way, anything sexy or attractive about the opposite sex will distract us from our tasks (me, personally, I always tried to impress the cute girls with my knowledge and charm). I took up the cause of thousands of other kids who sat in a class where they already knew everything in the text book when I refused to stay in my Calculus class (after being moved out of the Advanced Placement Calculus class at the first half of the semester for having a C).

In college it was me, in Oral Communications, refusing to do outlines for my speeches, because I simply didn’t need them to give speeches that were only graded B’s because of said lack of outline. It was me in Image Manipulation sticking up for the random kid who was getting butchered in review by one sole person for absolutely no reason. It was me in Digital Illustration refusing to use layers; having to correct the teachers lecture errors until I finally left the class. It was me in Drawing & Perspective refusing to shade the boring pieces of fruit; turning in a series of handgun illustrations on velum complete with red spray paint splatter and packaged in a “decon” mailing envelope. It was me in a constant battle with my AD over me; taking classes “out of order”, testing out of classes and dealing with grading injustices. It was me again, in my last stand, fighting against an automatic fail in my Law class (which was due to me missing too many classes, because my Mother was in the hospital).

Growing up today I would be driven insane by some of the control placed over kids and young adults; uniforms at school (though honestly I kind of wish I had to wear slacks and a sweet blazer every day), classrooms split up by gender, arts and music disappearing from the classroom, test scores being the only sign of progress. I mean look at how I shrug off “proper” grammar and “conventional” writing styles alone, I have become a monster. It is all this that has been brought into my mind by reading about the plight of one young man who it seems pretty evident is cast in a similar mold to my own. It’s a story more people should hear and care about. Taking away the freedoms of our youth, to me, is even more of a travesty than taking away the freedoms of a grown adult. We have a voice, we can vote, who will will speak for the youth?

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I have had a general distaste for most of the newer logos, but must admit a few of them have grown on me (including this years).

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May I introduce you to the portfolio of Bryan Katzel.

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Notable about this film is that a large portion of the music is by El Ten Eleven (with some The Album Leaf thrown in for good measure). El Ten Eleven is a band Kyle discovered a few years ago at some random show that is comprised of two men who loop guitars on the fly in unbelievable ways, and were the rhythm section of The Incredible Moses Leroy, whom I was quite fond of, whom were last performing as The Soft Lighties. Did you get all that?

David Carson also did the movie poster for the film, and guess what font he didn’t use? Helvetica of course, gotta admit that whole unpredictable thing is getting rather predictable. Anyway, you can now view the entire film right here, in this post. Go grab some popcorn, we will wait for you.

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Engadget

There’s no doubt, Vista and Leopard are both extremely advanced, feature rich consumer operating systems. But way back in January when Vista launched knew we had little choice but pit the two in a head to head chartngraph Thunderdome competition. We know we’re not even going to be able to stop the epic fanboy arguments about break out over this one, so we just ask that you try to keep it fair. Leopard vs. Vista: it’s on.

Check out the comparing and contrasting. By the by, I’m not a fanboy, I’m an Apple Enthusiast.

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Okay, okay, so Boys Town just has a horrible logo. I even blew it up a bit and blurred it to make it look a little more mysterious for your viewing pleasure. I saw this thing this morning and was so confused, but then I found out Boys Town is a Jester training academy, so it makes total sense now.

The other night I apparently lured Brandon into all the Cloverfield side stories, and realised quite a few people might be missing out on some of the Cloverfield “Universe”. For those of you who didn’t geek out for months over Cloverfield, this should catch you up on a fair amount, but if you haven’t seen it, there are spoilers over there.

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I believe Kyle will be picking up an MBA, and if he doesn’t get one of these as well I will be sorely disappointed. I’m sure that will really be a huge part of his decision making process.

AirMail

The AirMail laptop sleeve is handmade out of durable upholstery-grade vinyl, and lined with fuzzy, soft fleece. All AirMail sleeves have the same dimensions as standard interoffice manila envelopes, which will serve to remind you — and everyone around you — that your new MacBook Air really is the thinnest laptop in the world!

You can order your very own handmade AirMail here.

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Phil Lu some time ago worked up some mock ups that show us perhaps where this technology could be used. His concept has Apple teaming with Starbucks once again, and it should be noted Phil did these before the patent information from Apple became public knowledge.

You can see the rest of the concept right here. This is the sort of example of how the iPhone is beyond revolutionary, it has the potential to create new functions we never knew we needed, and makes life that much more fun.

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Ladies & Gentlemen the Love Mattress.

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Well here I am, a few days late, letting you all know my dream of a lovely minimalist blog is now pretty much reality. I stole a ton of code from random people who probably hate me, I got my dreams of minimalism after realising how perfect of a website McSweeney’s is for them, I even added Google AdSense (get excited). I figured a new year is always a good time for a fresh look, though this one will probably stick around for a while.

Enjoy yourselves, whoever it is that actually reads this thing, I thank you for thinking I am worth directing your browser of choice to my little piece of the Internet.

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Here are my addictions of 2007. Some I am speculating I will be, eventually, addicted, or I am addicted to the idea of liking it, or I like something about someone involved, or I almost knocked the author down a few weeks ago. I have really high standards for these sort of things.

Albums (Completely Consumed Me In A Wall Of Sound):

Songs (That Required Way To Much Use Of Repeat), Amongst Spectacular Albums:

Best Album Artwork/Packaging (I’m A Sucker For A Complete Package):

Books (You Can Buy All These Here):

Films (Not, Movies):

Television (Trendy People Say It Rots Your Brain, They Also Heard That Hanging Out All Day On The Internet):

Video Games (Warning: I Am NOT One Of Those Elitist Gamers Who Play Obscure Games And Everything That Comes Out, Sorry My List Is Wrong And Missing All The Good Games):

Technology Devices (That Made My Life Better):

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Firstly, what made this girl so captivating? If you are a guy, and a guy who is into Apple, you totally were into her simple look, her being a ballerina, her using Apple. It was a great decision on Apple’s part because she is exactly the kind of girl you hope will randomly appear in your life to help with your addiction to Apple. Her website got a huge rush of traffic to it, which is weird because: why would people go to a “behind the tu-tu” ballet website? My excuse was that I have dated a ballerina or two, so I am allowed to revisit these things as some kind of healing process. Right, right? Anyway, the surprising thing is her website is pretty spectacular; Well designed, unique idea, loyal niche following (Sidenote: I am really into colons/semi-colons today, even if it means using them incorrectly). I feel like a lot of people visiting her site might have been drawn into it because of similar-to-my-own second hand ballet experiences; crushes on ballerinas, dreams of being a ballerina, crushes on the girl in the iPhone commercial who happens to be a ballerina. It’s a very interesting concept in a marketing sense. Could the NYCB could have paid for more exposure? Probably not, and kudos for realising her abilities and rewarding her with her new position.

The secondary cloud spinning in my head is about the story of her and her boyfriend. I’m sure this story crushed a few people hoping to somehow sweep Miss Sloan off her feet, but it in and of itself says so much about how our world has changed. I had no idea what dodgeball.com was, until this story. It looks interesting, but I am yet to cave into the world of telling everyone where I am at the time I am actually there (I much rather prefer hearing people tell me I was someplace I never was at). The truly interesting thing is the ease that this seemingly “everywoman” has of discussing meeting her boyfriend on, in simpler terms, the invisible world. I know people who have dated people they met online, I know some truly amazing people that I met through the Internet (in varying degrees).

It really makes you think of how you “meet” people, and people’s hang ups on meeting people in “non-traditional” ways. People still get caught up in admitting their significant other was once just a MySpace message, random IM, or fellow website visitor. I decided to mentally list out how I met the people in my life who make regular appearances (meaning I talk to them on a regular basis, stemming over years) to see where I fit in. The summary is that of 10-12 people who are regularly in my life I; met the one’s I am the closest to in a way not involving technology (unless going to college for graphic design counts), stay more in touch with the ones I can email/IM than those I have to call, only one of them was I ever “buying dinner” (those who know me well, know this is what I call the purgatory between full on dating and being friends) on a regular occasion, I have met people because of music websites and online video games who are now very good friends (such a dork).

What does all this tell us? That I am apparently not hip to the times. I utilise technology to meet new people and stay in contact with people I already know constantly, and don’t have many reservations about it. However, I still tend to be pretty “traditional” for as much of a tech-dork as I am. In reality, I think this world is changing, while staying the same. For people to have a lasting effect on us we need to see, hear, feel, smell and touch them, not just read them. I know for many the “invisible world” presents interaction in a more convenient way, and perhaps we find it just as convenient to walk away from people we meet that way.

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It was incredibly amazing to see Chad again and we always spend hours discussing the days of old, and how things used to be. It made me realise that we are both really happy to be where we are right now, no matter what trials come daily and what more is sure to come. I also have come to understand that Bank of America has way cooler ATM’s than WaMu. For those of you not in the know, Chad has a company called P is for Panda that is doing things different.

It is because of these earlier events that I announce my full fledged support for Vinyl, and eliminate buying cd’s if the vinyl comes with the digital downloads. I don’t know how I was missing out on this for so long, but I was. I’m addicted, and you should join me. Is Vinyl better for the environment or something? Maybe I can go green?

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Wednesday I made my way to the Roxy in Hollywoodville to see Holiday Parade play their first LA show ever. Kate Beckensale and her family were even out to see the band. Underworld 3 soundtrack? Maybe. The show was great, and being able to finally spend some time with these guys was even better. I cannot stress enough what amazing people these guys are, talented musicians and class acts through and through. If you are able, catch their path around the States that we call a tour, Scotty their merch guy will honestly make your life 500 times better on his own. I took the following picture on Wednesday, I do things like this on occasion.

The real entertainment came after the show when we headed over to the after party for The Format’s show. Brandon Chamberlain was aces as usual, and I told Chavez I expect to see him out at the next march. I gave these two scholars a ride back to Long Beach because Brandon lost his car… and Lindsay… who was in his car… passed out… and no one could find her… or the car… sorry Linny.

Thursday was back at it again with the HP guys, this time in Santa Ana. The venue seemed newer (read: it was interesting) but the kids there sure do support the bands, good to see. We got in some great conversation at various times in the evening, and _____ (name witheld to protect further damage to his ability to pull) definitely stole the show with his stories of romance. His absolute finest moment came when he told us a story about how he had an “encounter” with a young lady who later went on to tell her sorority sisters that he wasn’t good in bed. What did _____ do to rebuke such claims? Tell the sisters that he just couldn’t get it up, of course.

I will basically miss anyone who currently resides in Georgia for the rest of the weekend. Thank you all.

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The really interesting announcement that Apple made was the availability of Safari 3.0 as a public beta for Mac and (get this) Windows. So now all of you barbarians can browse like the rest of us (well, except Kyle), and you web developers have no excuse for your websites to not work on Safari. Have fun and browse safe.

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P is for Panda cares about artists (and hey look at me I’m an artist!), which is actually a rare these days. Perhaps more rare, P is for Panda cares about our world, and backs it up with real monies. One of my other good friends (oh, look at me and all my talented friends) has designed all of the items currently available, so not only are you supporting one of my friends, you are supporting two! I’m gonna just go ahead and pull this off their Virb site, so I get you all the facts.

What is P is For Panda?

After leaving The Militia Group – a company that I founded over 9 years ago – I still don’t really know how to respond to that question. However, I do know this: P Is For Panda is and will always be a company that supports the artist and the community.

For now, we are a clothing company. It may not necessarily seem revolutionary, but we believe that it takes small steps to incite change. Our clothing will be completely based on artist submissions. If we choose to use an artist’s design, the artist is then allowed to choose the item price, the size of the clothing run, and a charity to donate a portion of the proceeds to. World Wildlife Fund is the charity we will suggest to them, but again – it is the artist’s choice.

From there, the profit will be split three ways.
1. The Artist. We thought it was unfair that when an artist designed a shirt they simply got paid a flat fee. If the shirt goes on to sell thousands, the company makes all the money and the artist is left trying to pay rent. With this model, if the shirt sells well – the artist actually sees some of the cash!
2. A Charity. We want to give back. And what better way to give back than to give 1/3rd of our profits to a charity that is trying to better the world we live in? It’s a hell of a lot better than just making some cool shirts.
3. Us. We need cash to keep this thing rolling!

Many people in the “business world” have said that this model cannot and will not work. My question is: “Why?” Because we are thinking about someone other than ourselves? Because we are not concerned with a bottom line? Because we would rather help save a life rather than pad our pockets? People in the normal business world simply do not understand how a business can succeed while “giving away” 2/3rds of its profit. My simple answer is “Why not?”

If we fail – at least we failed while trying to do something meaningful. We would rather die trying than sit around on our butts complaining about the war, the worsening situation in Africa, the lack of aid in New Orleans, or the staggering number of people that are dying right now because they need a new kidney while most of us have one we don’t even need.

If you want to support Panda – thank you from the bottom of our hearts. We believe this can work and we want to show the “business world” that together, we really can change things.

Lets change the way business works.

Chad Pearson and P is for Panda

Who can argue with proving narrow minded suits wrong? Not me, and not Billy Walsh either.

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I got over the $1200.00 bike when I realised I would be scared to take it out in public, so I decided that I should purchase an urban bike. You know the kind that bike messengers ride? I would go urban biking (yeah i make up a lot of urban ______ sports, but that’s what we do here in the Arts District), I would ride at night and rule the streets.

Fortunately I have a former professional mountain biker in my friend Jordan Percy (who rides his bike to work every day, and once rode from Pacific Beach in San Diego, all the way up to Oceanside just because he was bored), and fortunately Jordan paid us a visit last week. We took some time out of our interviews and meetings to discuss my bike situation with Jordan.

Jordan shot down my urban bike idea in seconds, claiming those mountain/bmx hybrids were for adults who rode bmx bikes as kids and want to pretend like they still can so they get an urban bike. I tried to explain that I am exactly that person and have no issues with it, but he demanded we go another route. Jordan then suggested a fixed gear bike. I being a good friend have listened to Jordan talk about these bikes before and know I want no part in a bike that you have to peddle to slow down. I immediately deny him, and go back to the urban bike.

Jordan finally asks me why I want an urban bike and why I was so fixated on the $1200.00 bike, so I tell him the most honest 2-drink answer ever, “to intimidate people.” Now I’m (not yet) a cyclist, but I feel intimidation is a big part of cycling. I need to look like someone who rules the streets at night in the cutthroat world of urban biking.

Jordan finally convinces me to let him build me a perfect single speed bike from vintage road bike parts and some sort of cut off bars that will look mountain bike-esque but he assures me will still intimidate. We have not yet set a bike building day, but you shall be updated… and you have been warned.

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Virb is what Myspace would be if they cared about design and layout. Virb is fresh and small as we speak. I expect it to be popular but niche online community. We’ll see. – MichaelBay.com

If you are my real friend you have already added me on Virb… if you haven’t I’m pissed at you. It’s where all the real social networking happens, you do want to be cool right? Myspace is like wearing Seven Jeans and Ugg Boots.

This is the part where I just offended a lot of girls, I’m sorry… really, but lead instead of following for once.

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After the long journey, some interesting appetizer’s and a run of the land we headed off to revive our singing careers. If you have never been to Dimple’s, you are cheating yourself out of a good time, and potential fame. I’ve heard this place was where Record Industry A&R signed pop stars before American Idol existed. They even snap pictures and film you.

Edit: Kyle has a longer description of the evening, with less metaphors and more promise of our DVD and allusions to internet infamy (that’s right, Dimple’s has a live feed every night) on his blog.

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Cartel, Holiday Parade and The Dangerous Summer… one night only. I am sure more of these sort of events are bound to happen… maybe even a Randall Tour, who knows.

So if you are anywhere near Lynchburg, find a student and watch the hits spill from the stage.

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David Eggers, Author/Designer
taken from an interview conducted for “YSKOV(Sacrament)” release.

“You actually asked me the question: “Are you taking any steps to keep shit real?” I want you always to look back on this time as being a time when those words came out of your mouth.

Now, there was a time when such a question – albeit probably without the colloquial spin – would have originated from my own brain. Since I was thirteen, sitting in my orange-carpeted bedroom in ostensibly cutting-edge Lake Forest, Illinois, subscribing to the Village Voice and reading the earliest issues of Spin, I thought I had my ear to the railroad tracks of avant garde America. (Laurie Anderson, for example, had grown up only miles away!) I was always monitoring, with the most sensitive and well-calibrated apparatus, the degree of selloutitude exemplified by any given artist – musical, visual, theatrical, whatever. I was vigilant and merciless and knew it was my job to be so.

I bought R.E.M.’s first EP, Chronic Town, when it came out and thought I had found God. I loved Murmur, Reckoning, but then watched, with greater and greater dismay, as this obscure little band’s audience grew, grew beyond obsessed people like myself, grew to encompass casual fans, people who had heard a song on the radio and picked up Green and listened for the hits. Old people liked them, and stupid people, and my moron neighbor who had sex with truck drivers. I wanted these phony R.E.M.-lovers dead.

But it was the band’s fault, too. They played on Letterman. They switched record labels. Even their album covers seemed progressively more commercial. And when everyone I knew began liking them, I stopped. Had they changed, had their commitment to making art with integrity changed? I didn’t care, because for me, any sort of popularity had an inverse relationship with what you term the keeping ‘real’ of ‘shit.’ When the Smiths became slightly popular they were sellouts. Bob Dylan appeared on MTV and of course was a sellout. Recently, just at dinner tonight, after a huge, sold-out reading by David Sedaris and Sarah Vowell (both sellouts), I was sitting next to an acquaintance, a very smart acquaintance married to the singer-songwriter of a very well-known band. I mentioned that I had seen the Flaming Lips the night before. She rolled her eyes. “Oh I really liked them on 90210,” she sneered, assuming that this would put me and the band in our respective places.

However.

Was she aware that The Flaming Lips had composed an album requiring the simultaneous playing of four separate discs, on four separate CD players? Was she aware that the band had once, for a show at Lincoln Center, handed out to audience members something like 100 portable tape players, with 100 different tapes, and had them all played at the same time, creating a symphonic sort of effect, one which completely devastated everyone in attendance? I went on and on to her about the band’s accomplishments, their experiments. Was she convinced that they were more than their one appearance with Jason Priestly? She was.

Now, at that concert the night before, Wayne Coyne, the lead singer, had himself addressed this issue, and to great effect. After playing much of their new album, the band paused and he spoke to the audience. I will paraphrase what he said:

“Hi. Well, some people get all bitter when some song of theirs gets popular, and they refuse to play it. But we’re not like that. We’re happy that people like this song. So here it goes.”

Then they played the song. (You know the song.) “She Don’t Use Jelly” is the song, and it is a silly song, and it was their most popular song. But to highlight their enthusiasm for playing the song, the band released, from the stage and from the balconies, about 200 balloons. (Some of the balloons, it should be noted, were released by two grown men in bunny suits.) Then while playing the song, Wayne sang with a puppet on his hand, who also sang into the microphone. It was fun. It was good.

But was it a sellout? Probably. By some standards, yes. Can a good band play their hit song? Should we hate them for this? Probably, probably. First 90210, now they go playing the song every stupid night. Everyone knows that 90210 is not cutting edge, and that a cutting edge alternarock band should not appear on such a show. That rule is clearly stated in the obligatory engrained computer-chip sellout manual that we were all given when we hit adolescence.

But this sellout manual serves only the lazy and small. Those who bestow sellouthood upon their former heroes are driven to do so by, first and foremost, the unshakable need to reduce. The average one of us – a taker-in of various and constant media, is absolutely overwhelmed – as he or she should be – with the sheer volume of artistic output in every conceivable medium given to the world every day – it is simply too much to begin to process or comprehend – and so we are forced to try to sort, to reduce. We designate, we label, we diminish, we create hierarchies and categories.

Through largely received wisdom, we rule out Tom Waits’s new album because it’s the same old same old, and we save $15. U2 has lost it, Radiohead is too popular. Country music is bad, Puff Daddy is bad, the last Wallace book was bad because that one reviewer said so. We decide that TV is bad unless it’s the Sopranos. We liked Rick Moody and Jonathan Lethem and Jeffrey Eugenides until they allowed their books to become movies. And on and on. The point is that we do this and to a certain extent we must do this. We must create categories, and to an extent, hierarchies.

But you know what is easiest of all? When we dismiss.

Oh how gloriously comforting, to be able to write someone off. Thus, in the overcrowded pantheon of alternarock bands, at a certain juncture, it became necessary for a certain brand of person to write off The Flaming Lips, despite the fact that everyone knew beyond a shadow of a doubt that their music was superb and groundbreaking and real. We could write them off because they shared a few minutes with Jason Priestley and that terrifying Tori Spelling person. Or we could write them off because too many magazines have talked about them. Or because it looked like the bassist was wearing too much gel in his hair.

One less thing to think about. Now, how to kill off the rest of our heroes, to better make room for new ones?

We liked Guided by Voices until they let Ric Ocasek produce their latest album, and everyone knows Ocasek is a sellout, having written those mushy Cars songs in the late 80s, and then – gasp! – produced Weezer’s album, and of course Weezer’s no good, because that Sweater song was on the radio, right, and dorky teenage girls were singing it and we cannot have that and so Weezer is bad and Ocasek is bad and Guided by Voices are bad, even if Spike Jonze did direct that one Weezer video, and we like Spike Jonze, don’t we?

Oh. No. We don’t. We don’t like him anymore because he’s married to Sofia Coppola, and she is not cool. Not cool. So bad in Godfather 3, such nepotism. So let’s check off Spike Jonze – leaving room in our brains for… who??

It’s exhausting.

The only thing worse than this sort of activity is when people, students and teachers alike, run around college campuses calling each other racists and anti-Semites. It’s born of boredom, lassitude. Too cowardly to address problems of substance where such problems actually are, we claw at those close to us. We point to our neighbor, in the khakis and sweater, and cry foul. It’s ridiculous. We find enemies among our peers because we know them better, and their proximity and familiarity means we don’t have to get off the couch to dismantle them.

And now, I am also a sellout. Here are my sins, many of which you may know about already:

First, I was a sellout because Might magazine took ads.
Then I was a sellout because our pages were color, and not stapled together at the Kinko’s.
Then I was a sellout because I went to work for Esquire.
Now I’m a sellout because my book has sold many copies.
And because I have done many interviews.
And because I have let people take my picture.
And because my goddamn picture has been in just about every fucking magazine and newspaper printed in America.

And now, as far as McSweeney’s is concerned, The Advocate interviewer wants to know if we’re losing also our edge, if the magazine is selling out, hitting the mainstream, if we’re still committed to publishing unknowns, and pieces killed by other magazines.

And the fact is, I don’t give a fuck. When we did the last issue, this was my thought process: I saw a box. So I decided we’d do a box. We were given stories by some of our favorite writers – George Saunders, Rick Moody (who is uncool, uncool!), Haruki Murakami, Lydia Davis, others – and so we published them. Did I wonder if people would think we were selling out, that we were not fulfilling the mission they had assumed we had committed ourselves to?

No. I did not. Nor will I ever. We just don’t care. We care about doing what we want to do creatively. We want to be interested in it. We want it to challenge us. We want it to be difficult. We want to reinvent the stupid thing every time. Would I ever think, before I did something, of how those with sellout monitors would respond to this or that move? I would not. The second I sense a thought like that trickling into my brain, I will put my head under the tires of a bus.

You want to know how big a sellout I am?

A few months ago I wrote an article for Time magazine and was paid $12,000 for it. I am about to write something, 1,000 words, 3 pages or so, for something called Forbes ASAP, and for that I will be paid $6,000 For two years, until five months ago, I was on the payroll of ESPN magazine, as a consultant and sometime contributor. I was paid handsomely for doing very little. Same with my stint at Esquire. One year I spent there, with little to no duties. I wore khakis every day. Another Might editor and I, for almost a year, contributed to Details magazine, under pseudonyms, and were paid $2000 each for what never amounted to more than 10 minutes work – honestly never more than that. People from Hollywood want to make my book into a movie, and I am probably going to let them do so, and they will likely pay me a great deal of money for the privilege.

Do I care about this money? I do. Will I keep this money? Very little of it. Within the year I will have given away almost a million dollars to about 100 charities and individuals, benefiting everything from hospice care to an artist who makes sculptures from Burger King bags. And the rest will be going into publishing books through McSweeney’s. Would I have been able to publish McSweeney’s if I had not worked at Esquire? Probably not. Where is the $6000 from Forbes going? To a guy named Joe Polevy, who wants to write a book about the effects of radiator noise on children in New England.

Now, what if I were keeping all the money? What if I were buying property in St. Kitt’s or blew it all on live-in prostitutes? What if, for example, I was, a few nights ago, sitting at a table in SoHo with a bunch of Hollywood slash celebrity acquaintances, one of whom I went to high school with, and one of whom was Puff Daddy? Would that make me a sellout? Would that mean I was a force of evil?

What if a few nights before that I was at the home of Julian Schnabel, at a party featuring Al Pacino and Robert DeNiro, and at which Schnabel said we should get together to talk about him possibly directing my movie? And what if I said sure, let’s?

Would all that make me a sellout? Would I be uncool? Would it have been more cool to not go to this party, or to not have written that book, or done that interview, or to have refused millions from Hollywood?

The thing is, I really like saying yes. I like new things, projects, plans, getting people together and doing something, trying something, even when it’s corny or stupid. I am not good at saying no. And I do not get along with people who say no. When you die, and it really could be this afternoon, under the same bus wheels I’ll stick my head if need be, you will not be happy about having said no. You will be kicking your ass about all the no’s you’ve said. No to that opportunity, or no to that trip to Nova Scotia or no to that night out, or no to that project or no to that person who wants to be naked with you but you worry about what your friends will say.

No is for wimps. No is for pussies. No is to live small and embittered, cherishing the opportunities you missed because they might have sent the wrong message.

There is a point in one’s life when one cares about selling out and not selling out. One worries whether or not wearing a certain shirt means that they are behind the curve or ahead of it, or that having certain music in one’s collection means that they are impressive, or unimpressive.

Thankfully, for some, this all passes. I am here to tell you that I have, a few years ago, found my way out of that thicket of comparison and relentless suspicion and judgment. And it is a nice feeling. Because, in the end, no one will ever give a shit who has kept shit ‘real’ except the two or three people, sitting in their apartments, bitter and self-devouring, who take it upon themselves to wonder about such things. The keeping real of shit matters to some people, but it does not matter to me. It’s fashion, and I don’t like fashion, because fashion does not matter.

What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, not who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say. Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a fuckload of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.

I say yes, and Wayne Coyne says yes, and if that makes us the enemy, then good, good, good. We are evil people because we want to live and do things. We are on the wrong side because we should be home, calculating which move would be the least damaging to our downtown reputations. But I say yes because I am curious. I want to see things. I say yes when my high school friend tells me to come out because he’s hanging with Puffy. A real story, that. I say yes when Hollywood says they’ll give me enough money to publish a hundred different books, or send twenty kids through college. Saying no is so fucking boring.

And if anyone wants to hurt me for that, or dismiss me for that, for saying yes, I say Oh do it, do it you motherfuckers, finally, finally, finally. “

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